For the Good of Mankind Blog Tour - Interview with Vicki Oransky Wittenstein


by Vicki Oransky Wittenstein
Lerner/Twenty-First Century Books (October 1, 2013)

Today, as part of the For the Good of Mankind Blog Tour, author Vicki Oransky Wittenstein stops by to answer a few questions.

FOR THE GOOD OF MANKIND was fascinating to read. I appreciated how you made readers think about the implications of the research. What drew you to this topic and what made you want to write this book? 

I was appalled by the experiments . . . yet riveted. Many of the unethical experiments horrified me . . . yet they drew me in. With some digging, I uncovered numerous examples (too many) where people suffered pain, injury, humiliation, and even death. No question about it, the experiments paved the way for great medical advancements. But in the process, people’s individual rights were violated, many of whom did not give consent. Before the 1980’s, when laws were finally enacted to protect subjects, medical researchers took advantage of whomever they could—orphans, prisoners, the mentally ill and African Americans—people who were powerless to speak out, whether from lack of education, poverty, or simply because their social status deemed them “unimportant.”

How was it possible that I had not known about these experiments before? I asked my family and friends. Most people knew about the Nazi experiments on concentration camp inmates during World War II and the Tuskegee syphilis experiments. But like me, few knew about the long history of human medical experimentation dating back to ancient times. Many had read about the pharmaceutical industry’s clinical trials that are so prevalent today, but again, few had thought about the ethical implications of these trials and other human medical experiments in developing areas of medicine, such as genetic therapies, DNA sequencing and stem cell research.

I was curious about why the unethical experimentation was permitted. What events occurred throughout history that reflected and changed society’s view of medical science? So, for example, during the years of slavery, doctors freely experimented on African American slaves who were bought just for the purpose of medical experimentation. Later, medical ethics fell by the wayside during times of war when the U.S. government had to amass huge numbers of troops and prepare them for combat. And during the Cold War, the government created a climate of secrecy. Many people were unknowingly exposed to experiments with radiation, such as the eighteen random patients in hospitals across the country whom Manhattan Project doctors injected with plutonium.

I wanted readers to understand this history, debate the ethics, and learn from our past mistakes. Like most things in life, ethical human medical experimentation requires a balance. How can we pursue society’s goal of medical advancement without stepping on the individual’s right to be free from harm? Young readers today will be the future leaders in law, government, medicine and science. They will be hit from all sides with ethical questions, and they will have to act with fairness and justice. I hope the book challenges them to stand up for what they believe in.

Your book just recently came out. Have you had a chance to do any school visits yet? What type of feedback have you received from teachers (if any)? 

I haven’t visited any schools yet, but just a couple of weeks ago I was invited to speak on the nonfiction panel at the New York City Librarian’s Annual Fall Conference for librarians in New York State. Both librarians and teachers were concerned about how to use the Common Core State Standards with their students, and were happy to learn about ways to connect the book to their history and English curricula. Questions at the back of the book provoke critical analysis of each chapter. Additionally, Lerner, my publisher, has suggested student projects and debates that teachers can utilize and link to specific Common Core State Standards (the activities are available on my website and on the Lerner website).

The research behind writing books fascinates me. Listening to where authors found primary and secondary sources, sometimes leads me to ideas that I can use with students in writing exercises. What was the research process like while your worked on FOR THE GOOD OF MANKIND?

The research was fascinating and led to some wonderful interviews. I spoke to several bioethicists, including Jerry Menikoff, M.D., Director of the Office for Human Research Protection, who helped me understand many of the current ethical issues in the field today. I also spoke with Eva Mozes Kor, a twin and survivor of Dr. Joseph Mengele’s experiments on twins at Auschwitz. Her story deeply saddened me. But she also gave me an authentic and meaningful way to discuss a difficult topic with young readers. Similarly, a conversation I had with Joshua Shaw, whose four-year-old brother was flown to the U.S. for treatment, but instead was injected with plutonium, put a human face to a painful story. Today, students can access many primary and secondary sources online, including material from the United States Memorial Holocaust Museum, U.S. Department of Energy hearings on the radiation experiments, the laws promulgated by the U.S. Food and Drug Administration, and many newspaper clippings and journal articles.

Can you share about any future projects that you are working on?

Right now I’m researching a fascinating book for Lerner about the history of reproductive rights in America, abroad, and in developing countries, which will explore the history of birth control and reproductive freedom from ancient herbal concoctions and birth control devices, to 20th Century pioneer Margaret Sanger and the legalization of birth control in the U.S, the invention of the Pill, and the anti-abortion movement. I’m super excited!

Do you have a favorite independent bookstore that you like to visit? 

(If you have a link to the store's website that would be great.) I have two favorite independent bookstores in New York City. BookCourt (www.bookcourt.com) is in Brooklyn, and the Bank Street Bookstore (www.bankstreetbooks.com) is located in Manhattan.

Can we get a glimpse at your TBR (to-be-read) pile? Anything that you are most excited about reading next?

 Here I am with my pile—lots of books on the history of reproductive rights!

Thanks for hosting me, Alyson.


About the author:  VICKI ORANSKY WITTENSTEIN has always been curious about new ideas, people, and places. That curiosity has taken her life in many different directions.  So far, she has been a student, a criminal prosecutor, a writer, and an advocate for children and families.  She is the author of a number of science and history articles for young readers, as well as the book Planet Hunter: Geoff Marcy and the Search for Other Earths, which won the 2013 Science Communication Award from the American Institute of Physics.  She lives with her family in Brooklyn, New York. For more information, and for a free discussion guide, visit http://vickiwittenstein.com/.
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Follow the Blog Tour:

Mon, Nov 4
proseandkahn
Tues, Nov 5
The Prosen People
Thurs, Nov 7
The Nonfiction Detectives
Fri, Nov 8
Growing with Science
Mon, Nov 11
Ms. Yingling Reads
Tues, Nov 12
Through the Wardrobe
Wed, Nov 13
Kid Lit Frenzy
Thurs, Nov14
    
GreenBeanTeenQueen
Fri, Nov 15
The Fourth Musketeer

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Virtual Blog Tour & Interview with Elisa Kleven


Today author & illustrator, Elisa Kleven stops by as part of her Virtual Blog Tour for Glasswings.


Hi Elisa – Thank you for agreeing to answer a few questions. (Thank YOU!!!) I am excited to be a part of your virtual blog tour for Glasswings. It is a beautiful story both in text and illustrations. (thanks again!)

In looking at your website, you have a significant number of books that you have written and illustrated, but also quite a few books that you have illustrated for other writers. Can you share a little about the process you go through when writing and illustrating a book? 

If I'm illustrating my own story, I first need to generate a text of course. I have a pretty circuitous way of writing stories. Beginning with the seed of an idea, which is often based on a visual image or a memory, I start to write down thoughts about the image, which, if I'm lucky, cohere and build and grow together become a story. Often I think of multiple scenarios and possible endings for the same story. Sometimes I get stuck and have to put the text away in my drawer for awhile, where it can rest and "gestate" for awhile. If I'm illustrating another author's text, the process is much more straightforward. I read the story many times to get a feel for the characters, mood and setting, and then I begin sketching pictures which illustrate and, I hope, illuminate salient images from the story.

Do you have particular authors or illustrators that you credit as influencing your work or motivating you to become an author/illustrator? 

So many. The great picture book collage masters , Leo Lionni, Ezra Jack Keats, and Eric Carle have all influenced me. I remember seeing THE SNOWY DAY when I was young and thinking that the way I cut out and recycled scraps of this and that --used wrapping paper, pictures from catalogs, lace and ribbons, etc. to create my handmade dollhouse worlds was (granted, a much less sophisticated) version of Keats' use of collage. The comparison was validating: here was a grownup artist, making beautiful art with the same kinds of materials I loved to play around with.

What prompted you to write a book about glasswing butterflies? Have you always been interested in butterflies?

I have always loved butterflies. They are like otherworldly fairies, and yet so vital to maintaining healthy plants and flowers.  I love this combination of down-to-earth industriousness and exquisite, ethereal beauty, and tried to highlight it in my story.

What was the funniest thing a child has ever asked you in a letter/email/school visit?

"Do you talk to your toys still? " (No, but I talk through my somewhat toy-like book characters.) And, this may not be that funny but I found it moving: "I love the way you draw fairies, crocodiles, dogs, Paper dolls and elephants. Your stories are juicy and descriptive , they give me feelings."


If you could claim credit for another children’s book (as the writer or illustrator) which book would it be? 

THE HUNDRED DRESSES, by Eleanor Estes, TUCK EVERLASTING, by Natalie Babbitt, CHARLOTTE'S WEB, by E.B. White, MR. RABBIT AND THE LOVELY PRESENT, by Charlotte Zolotow and Sendak, and hundreds of others!

Can you share about any new projects that you are working on? 

I'm working on a few different stories right now…one stars a chimp, another a bear, another a baked good, and another my Grandma Eva Art , who was an artist from Ukraine.

Where do you like the write/draw? Do you have any special routines when you are creating? (e.g., listening to music, a special beverage, etc) 

I like to write while sitting on my bed (which is near a big window with a view trees, houses, and San Francisco Bay), or at the computer in our home library. And I like to make art in my studio, which is in my back yard. I can't listen to music when I'm thinking of a story, but I love to listen while I'm making illustrations. In the morning my special beverage is strong coffee, and in the late afternoon, a dainty, ladylike glass of wine (but not till late afternoon, mind you! ☺)

Since it is summer, do you have any favorite road trip or beach books that you can recommend? 

I've been reading EAST OF EDEN and loving it. And I've just started THE ZOOKEEPER'S WIFE, a fascinating story based on a true story about the Warsaw Zoo during World War Two.

Can you share a picture of your TBR pile?


This is just one of many of such piles.

Don't forget to look for a copy of Glasswings by Elisa Kleven a local indie bookstore or public library.  Click here to purchase a copy on IndieBooks.org

Interview with Jamal Igle - Creator of Molly Danger

Today I welcome Jamal Igle to Kid Lit Frenzy.  I was introduced to Jamal through Jeremy Whitley, creator of Princeless.  Igle is the creator/author of the Molly Danger graphic novel.  Here is a little information about Molly Danger....


http://mollydanger.com/

Description from GoodReads:
Molly Danger is the story of the world’s most powerful ten-year-old girl. A seemingly immortal, superstrong hero, Molly has protected the city of Coopersville for the last twenty years. Kept in constant isolation and watched closely by D.A.R.T. (The Danger Action Response Team), an organization created to assist in her heroic deeds and monitor her movements, Molly battles the Supermechs. Molly longs for a real life with a real family. Her life changes when D.A.R.T. recruits a new pilot, Austin Briggs. Briggs has his own motivations for joining the team; newly remarried, Austin is having trouble forming a relationship with his new stepson, Brian. Austin wants to use his connections to impress Brian, an avid Molly Danger fan. However, things change when Molly and Brian form a friendship of their own. She believes she’s an alien whose family died when their ship crash-landed on Earth and before the atmosphere could fully alter them. She also believes that she’s alone, the last of her kind. Everything she believes is wrong.

For a free preview of Molly Danger, click here.

Jamal graciously agreed to an audio interview, which turned into my very first podcast.  (Thanks Alethea for your help in editing this interview.) Click on the widget below to listen to my interview with Igle as he answers questions about Molly Danger, creating comics and more. - Thanks Jamal for chatting with me!!!

Music credit
mont (Gablé) / CC BY-NC-SA 3.0

You can also listen to this podcast for free via Read Now Sleep Later at iTunes

For more information about Jamal Igle: website | blog | twitter 

Home Sweet Rome Blog Tour - Author Interview - Marissa Moss & Giveaway


As part of the Home Sweet Rome Blog Tour, author Marissa Moss graciously offered to answer some questions for readers.  In addition, the good folks over at Sourcebook offered a copy of Moss's newest book Mira's Diary: Home Sweet Rome for giveaway to one lucky reader.

What was your inspiration for writing Mira’s Diary?

I love both history and the diary format, a combination I've played with before. This time I wanted to add the element of time travel to make the historical aspects more vivid, more engaging for readers.

You have an amazing list of books that you have written, both picture books and novels? Do you enjoy writing one type of book over another? Is it harder to write a picture book than a novel or the other way around?

You'd think a picture book would be easier because it's shorter, but that's what makes it harder. Every word counts and you don't have any room to make mistakes. Still, I love the way picture books tell the story equally through words and images. With novels, I love the chance to go deeper into a subject. I even have one case where I wrote about the same historical subject (a true story about a woman who dressed as a man and fought in the Civil War) first as a picture book -- Nurse, Soldier, Spy -- and then as a YA novel, A Soldier's Secret. I loved doing both!

When did you decide you wanted to write books? Do you write a lot of stories as a child?

I've always told stories and drawn pictures to go with them, ever since I could hold a crayon. I sent my first picture book to publishers when I was nine, but it was pretty terrible and they didn't publish it. I didn't try again until I was a grown-up and then it took me five years of sending out stories, getting them rejected, revising them, and sending them back again and again and again until I got my first book.

What book would you identify as being the book that turned you into a reader or inspired you to become a writer?

I was a voracious reader from early on, starting with Dr. Seuss. I loved how he played with words and drew these amazing creatures.

One thing I am always curious about is the writing habits and writing space of authors? Some work in their home or a writing space, and others in coffee shops. Some like music playing in the background and others have special snacks or beverages. Tell us a little bit about your writing space and habits.

I'm pretty boring and basic. I write in my studio -- no music (too distracting), no snacks (ditto). When I'm drawing, I listen to music, but not while writing. Early in my career, I wrote on the dining room table, in parks while watching my kids, even in pediatricians' waiting rooms, whenever I could squeeze in time. Now I have the luxury of a room of my own where I can make a mess and close the door.

If you could spend the day with your favorite character (from any book – doesn’t have to be one of your own characters), who would it be and what would you do for the day?

It's not so much the characters I'd want to spend time with, but the places. I'd love to explore Narnia, the Hundred-Acre-Wood, Hogwarts, the Shire.

What is the question that you most frequently get asked by children who write to you?

The most common question is whether Amelia (from the Amelia's Notebook series) is based on a real person. The answer is she is -- me!

If we were to get a peek at your “To-be-read” pile, what titles would be see in the stack of books?

It's a huge stack of books for the research I'm doing on WWI and Women's suffrage in England (for Mira #3). For pleasure, I'm sneaking in novels when I can. I just finished Karen Cushman's latest book and I loved it!

Is there any question that I didn’t ask that you wished I had asked?

Why history? What's the draw there? What makes specific periods in history interesting to you, worth writing about?


For more information on Marissa Moss: website | facebook | twitter 

Thank you to Sourcebook for offering up a copy of Mira's Diary: Home Sweet Rome for a giveaway.  Please complete the form below to enter to win a copy.   a Rafflecopter giveaway

An interview with Amy VanDerwater - Forest Has a Song

Today debut author, Amy VanDerwater  has stopped by to chat and share her thoughts about her new book Forest Has a Song and a little bit about her writing life.  She has also shared some great ideas for celebrating National Poetry Month.  Thanks Amy for stopping by.


Amy, your book is beautifully illustrated and the poetry is very lovely. In Forest Has a Song, all of the poetry is focused on nature. Do you have other topics you like to write about? 

Thank you very much; I adore Robbin Gourley’s illustrations too! And yes…I often write about the small observations in my life such as hugging warm laundry fresh from the dryer or curling up with a dog. I love to write about play and questions and making things. Many of my poems explore the border of daily life and mystery – that in-between space. Many more are about connection; I am fascinated by how we are all connected to each other and to animals, to history and to plants, to art and to song.

I have recently had fun teaching children about writing cinquains. Is there a type of poetry that you most enjoy writing or teaching? 

I like to write just to see what happens. For me, a poem often grows from a snip of thought or wonder or joy or just good-sounding words. I’m a notebook keeper, and I enjoy discovering what arises from my entries. I do like reading others poems and studying their forms, experimenting with those forms on my own. I always think of it as like trying on dress up clothes and seeing what fits. When I teach, I most want children to understand that we write not to fit a template, but to illuminate what matters to us.

When did you decide you wanted to write poetry? Do you write a lot of poetry as a child?

I did write some poetry as a child. I kept diaries here and there (when I was really little, Mom took dictation for me), and I remember loving the play of words. In sixth grade I wrote a poem about mothers that ended like this:

Mothers always yell at you/ like make your bed or tie your shoe/or pick up that sock you left on the ground/but mothers make the world go round. 

I was very happy with that ending rhyme.

What is the question that you most frequently get asked by children who write to you?

I do not yet receive many letters from children…but maybe someday! - I (Alyson) suspect that will change now that your book is out. :-)

What suggestions would you give teachers for celebrating National Poetry Month? 

Just fall in love. Begin each day of April by reading a fantastic poem “just because”. Choose nature poems, funny poems, sad poems…poems that span human experience. Our currently-crazed testing culture is not supportive of reading poetry for poetry’s sake, but we are teaching children with great minds and souls, and these minds and souls need poems. Children are hungry for meaning, and there is meaning in poems. From this meaning-place, our students will want to write, and then revise, edit, and maybe share their own poetry. Don’t worry about making every poem fit an activity or a form; just fall in love with words, let poems wash over and through you.

I share some ideas for sharing and writing poems at my blog, The Poem Farm, and you can find links to many poetry-happenings in the Kidlitosphere this month at Jama Rattigan’s Alphabet Soup -  and at Poets.org

I will also be the Author-in-Residence at ReaderKidZ for the month of April.

One thing I am always curious about is the writing habits and writing space of authors? Some work in their home or a writing space, and others in coffee shops. Some like music playing in the background and others have special snacks or beverages. Tell us a little bit about your writing space and habits.

I am not very organized, so alas, I have not made an organized or lovely writing space. I write anywhere: flopped in the grass, at a local bakery (background music is not good for me), stretched out on our living room floor, at my messy antique roll top desk. I do best when I’m in a rhythm, and this April, I’m getting back into writing rituals by drawing each day in my new sketchbook. I am hoping that poems will grow from these drawings which I will post daily at my blog.

If we were to get a peek at your “To-be-read” pile, what titles would be see in the stack of books?

Right now I am looking at Lewis Turco’s TURCO’S BOOK OF FORMS, a book that I’m not sure how I’ll attack. I’m finishing Ted Kooser’s THE POETRY HOME REPAIR MANUAL, am rereading THE TREE THAT TIME BUILT poems selected by Mary Ann Hoberman, and I am about to read MINDSET: THE NEW PSYCHOLOGY OF SUCCESS by Carol Dweck. I need a novel!

Cake by Luci Levere of Elm Street Bakery E. Aurora NY
Do you have any other future writing projects in the works? Anything you can share? 

READING TIME, a collection of reading poems, will be published by WordSong at some point in the future, and I do have my fingers crossed for a couple of other manuscripts too…but those are still secret.

Thank you very much for hosting me here at KidLitFrenzy, Alyson. It has been a pleasure. 

Some special links and resources from Amy...

The Poem Farm (my poem blog)

Sharing Our Notebooks (my notebooks blog) 

Information about FOREST HAS A SONG - click here

HMH's Spring Poetry Kit - Spring 2013 Poetry Kit on Scribd 

Illustrator of FOREST HAS A SONG - Robbin Gourley's website http://robbingourley.com/


Don't forget to enter to win a copy of A Forest Has a Song from Blueslip Media. a Rafflecopter giveaway